Poldark meets Bridgerton meets Strike.
An ARC review for NetGalley

This is the second book in the series reissued by Verve books and it confirms the promise that was suggested by the first, Death and the Harlot. It’s set six months after that, in 1759, and picks up the tale of nineteen year old Lizzie Hardwick, a prostitute in Soho who is not all that she appears.
An educated daughter of a respectable gentleman, she was thrown out and disowned after a rich family friend had sexually abused her. Changing her name, she arrived in London, finding a position at Ma Farleys, a high class, relatively safe brothel. In book one she gets entangled in the murder investigation of one of her clients, forging a relationship with Davenport, a detective with the Bow Street runners. Her skill leads him to offer her paid work for the runners as a source of intelligence about the goings on in Soho, while keeping the security of her job in the brothel.
In this second book, Davenport installs her as a seamstress in the theatre of David Garrick, where Lord Hawbridge is found brutally murdered, hanging upside down over the stage. She comes across a series of suspicious characters, from every section of society, before the culprit is unmasked, in a breathless finale. It’s an excellent historical murder mystery.
Clarke’s knowledge of the period and its theatre world is impressive and she uses it with a light touch to create a convincing sense of time and place. She provides a range of suspicious characters with a range of motives so the reader has enough to fuel the speculation that is at the root of much of the pleasure of this kind of fiction, and the story is well paced, with twists and turns and end of chapter cliff hangers.

It’s not all fabulous though, which is why I gave it 4 stars rather than 5. Some of the plot twists, or breakthroughs in Lizzie’s understanding of the mystery are a little far fetched to say the least. I’m all for suspending my disbelief when I’m invested in the story and the characters, but my eyebrows jerked upwards on more than one occasion, accompanied by a knowing smirk and a thinks bubble above my head bearing the single word, “Really?”. Although the portrayal of the eighteenth century theatre world was very seductive, I did miss Ma Farley’s genteel brothel and Lizzie’s coworkers, which added an extra dimension to the first book. And, a minor point I know, but try as I might , I couldn’t work out how the title works. Which corpse is playing dead?
But this is splitting hairs. The books work because of Lizzie Hardwick. She’s a fabulous, attractive creation and her growing relationship with Davenport is a beautifully understated driver in the narrative. It will certainly make me look out for the third in the series, also due to come out in 2025. I think it’s only a matter of time before the series is adapted for TV – it would be a very welcome addition to historical drama – Poldark meets Bridgerton meets Strike.

