Always great to get reviews out of the blue from someone who so clearly gets it. This one from AndrewSarahBookReviewer. Yes, that’s their mysterious handle. Have a read and see if you agree by reading it yourself. Links to Amazon at the end of this blogpost.
“A Cold Wind Blows doesn’t read like something written by a man testing his first dip into children’s fantasy. It reads like someone who knows how to pull history, myth, and magic into one big imaginative storm, and then quietly pretend it’s all casual. But here’s the catch, it’s almost criminal that a story this rich, this layered, and this cinematically British isn’t stirring up more noise online.
Let’s start from the top. You’ve got Silas Cummerbund, a name that sounds like it belongs in both a Dickens novel and a secret magical agency. The man’s half mentor, half mystery, and fully fascinating. Then there’s Princess Gaia, trained to harness her hidden powers, facing danger, betrayal, and probably more character development than most fantasy heroines get in a trilogy.
The world of Yngerlande isn’t just imagined; it’s constructed, with history breathing beneath the soil, loyalty and treachery doing a slow, deadly waltz, and danger watching from the kitchen (because, of course, there’s a suspicious kitchen boy named Shrike ). You’ve got everything, a sharp mind for structure, a love of lore, a solid moral compass, and that old-school narrative warmth modern fantasy often lacks.
It’s classic fantasy craftsmanship, the kind that brings back that old-school sense of wonder and storytelling gravitas. You can feel the teacher in you on every page, that precise attention to pacing, that clean sentence rhythm, the moral backbone hiding beneath the adventure. There’s something deeply nostalgic about your writing, it’s the kind of story that whispers “just one more chapter” until the reader realizes it’s 3 a.m. and they’ve stopped pretending to be an adult.”
“In an era where young adults face increasingly complex social and political realities, Barron has written a book that offers both an absorbing escape and a compelling message.“
The first reviews are beginning to come in. This one is from Maria Ashford of Bookshelfie
The middle volume of a fantasy trilogy faces a particular challenge: it must advance the story without feeling like mere connective tissue between a promising beginning and a climactic end. This is the case in retired English teacher R.J. Barron’s “A Cold Wind Blows”, the second installment in his Thomas Trelawney series. Though we haven’t read the first book, it feels like Barron largely succeeds in this difficult task, deepening both the mythology of his dual-world book while maintaining the accessible warmth that makes the series appealing to middle-grade readers.
To start off, readers should probably read the first book before this one, though a brief summary is helpfully provided for those who haven’t. The plot picks up when several months have passed since the events of The Watcher and The Friend, and thirteen-year-old Thomas has returned to the mundane challenges of school life in England. Meanwhile, in the parallel realm of Yngerlande, the political tensions that simmer beneath Queen Matilda’s rule are beginning to boil over. Princess Gaia—formerly Clara, a London orphan—undergoes intensive magical training under the guidance of Silas Cummerbund, developing abilities that grow more impressive by the day. As the spy Shrike observes with alarm, “She can move objects from afar without touching them. She can be in two places at once.”
In the same vein of C.S. Lewis, Barron’s greatest strength lies in his ability to ground fantastical elements in the recognizable experiences and emotions of young people. Princess Gaia’s magical education can be read as an extended metaphor for adolescent development—the awkward acquisition of maturity and the growing awareness of one’s place in a larger world. When Silas reassures her after a setback, saying “It’s much better than it was last week and ’twill be twice as good again next week,” we hear the voice of every patient teacher helping a student through difficulty.
The novel’s political dimension adds unexpected sophistication for adults to what might otherwise seem like standard fantasy fare. Queen Matilda’s egalitarian society—where “people of colour, women, people who go where their love takes them” enjoy full citizenship—faces threats from reactionary forces led by Oliver and Jacob, grandsons of the deposed king. Clara articulates the stakes plainly: “They want to turn back the clock.” This isn’t subtle allegory, but it doesn’t need to be. Barron writes with the moral clarity that young readers deserve, presenting complex social issues in terms they can understand and apply to their own world.
The book’s structure alternates between character moments and mounting suspense, and this gentle pacing largely works against dramatic momentum. Some of the most affecting passages involve Grace, Thomas’s sister, who now lives contentedly in Yngerlande but still carries the burden of separation from her family. “Of course, Silas. I am with the best of people here,” she says, “but still, I remember the life I had.” Where the novel occasionally stumbles is in its adherence to familiar fantasy tropes. These elements, while competently handled, may feel predictable to readers well-versed in the genre. Barron’s villains, particularly Oliver and Jacob, remain somewhat one-dimensional, their motivations never deeply explored beyond generic power-hunger and bigotry.
Yet these weaknesses don’t significantly diminish the book’s considerable pleasures, and young adult readers are unlikely to notice anyway. Barron writes with genuine affection for his characters, and their relationships feel relatable and fun to read despite the magical circumstances. The friendship between Grace, Gaia, Della, and Amelia provides moments of real warmth and humour, while the mentor-student dynamic between Silas and Gaia anchors the more fantastical elements. The novel builds to a cliffhanger that effectively sets up the trilogy’s conclusion.
To conclude, “A Cold Wind Blows” is a gripping read that succeeds as both fantasy adventure and coming-of-age story, offering young readers and older children heroes who face their challenges with courage. While it may not surprise experienced fantasy readers, it provides exactly what its intended audience needs. In an era where young adults face increasingly complex social and political realities, Barron has written a book that offers both an absorbing escape and a compelling message.
Book 2 in the Yngerlande Variations trilogy published by Burton Mayers books
The long awaited sequel to “The Watcher and The Friend” by R J Barron is published this Friday by Burton Mayers Books. “A Cold Wind Blows” is the second book in the trilogy, The Yngerlande Variations, set in the parallel world of Yngerlande in 1796. Here is the synopsis of the story so far. Warning! Spoiler Alert! Don’t read the summary if you have not yet read the first book and want to do so.
Tom has been summoned to help Silas and his allies defeat the relatives of the old King, Oliver and Jacob, who want to overthrow Queen Matilda and take the country back to a time when racism and discrimination were ever present. His task is made more complicated by the fact that he discovers that his sister, Grace, is alive and well in Yngerlande and is living there as a reward for her service when she was the Friend of Yngerlande. After many adventures and dangerous scrapes, they succeed, and Queen Matilda maintains her rule of peace, love and equality.
In “The Watcher and The Friend”, the first book in the trilogy, thirteen-year-old Thomas Trelawney is spending Christmas at an old Rectory on the North Yorkshire coast. It is the family’s first holiday since the death of Tom’s sister Grace. Here, Tom discovers a portal to another world and travels through it to Yngerlande, in 1795, with his cousin, Dan. Yngerlande is a parallel world to England, but is a much more diverse, equal society.
He meets Silas Cummerbund, who is The Watcher, the mysterious character who guards the portal between the two worlds. He tells Tom that he is the new Friend, the person whose role is to act as the link between the two worlds. This second book continues the story, as Oliver and Jacob return with another attempt to take back the crown of Yngerlande, only this time they are more dangerous and better prepared.
Silas has spent the summer training Princess Gaia, aka Clara to use her magic powers to their full extent, to be ready for any further threats to Yngerlande, but they are taken by surprise by the boldness of Oliver and Jacob’s new plan. A mysterious new character, Shrike, is introduced. He is by turns charming, dangerous, and duplicitous. Whose side is he really on? Even by the end of the book, that question is not clearly answered. One thing is certain, however. Thomas Trelawney is recalled from England to Yngerlande when everything looks lost. He does not trust Shrike, not least because Grace has fallen in love with him. Does Shrike have feelings for her, or is he just playing a clever game for his own ends?
“A Cold Wind Blows” begins eight months later.
The story takes in the wild North York Moors, Runswick Bay, Mulgrave Hall, the crumbling ruins of Hard Crag Towers, with its menagerie of bats, steedwings and owls, and the ancient city of York. It’s full of adventure, peppered with cross dressing, betrayal, vengeance, disguise and murder, with a liberal sprinkling of romance, friendship and love.
This is a must-read YA adventure, that is aimed at everyone from 9 to 90 who loves Fantasy novels. It’s available from the following links:
The Old Grey Owl 